Influences

Influences
Jackson's music genre takes roots in R&B, Motown's music, pop and soul. He had been influenced by the work of contemporary musicians such as Little Richard, James Brown, Jackie Wilson, Diana Ross, David Ruffin, Gene Kelly, Fred Astaire, Sammy Davis, Jr. and the Bee Gees.[176] He was also an admirer of performers from the English music hall tradition, such as Benny Hill and Charlie Chaplin.
While Little Richard had a huge influence on Jackson,[22] James Brown was for him, since early childhood, his greatest inspiration: "the master" or "a genius" especially when he was playing with his group, the Famous Flames, describing his performance as "phenomenal". He declared: "Ever since I was a small child, no more than like six years old, my mother would wake me no matter what time it was, if I was sleeping, no matter what I was doing, to watch the television to see the master at work. And when I saw him move, I was mesmerized. I had never seen a performer perform like James Brown, and right then and there I knew that was exactly what I wanted to do for the rest of my life because of James Brown."[177]
At first, the young Michael Jackson owed his vocal technique in large part to Diana Ross. In October 1969, it was decided that Michael would live with Diana Ross. Not only a mother figure to him, he often observed her in rehearsal as an accomplished performer. He later confessed: "I got to know her well. She taught me so much. I used to just sit in the corner and watch the way she moved. She was art in motion. I studied the way she moved, the way she sang - just the way she was." He told her: 'I want to be just like you, Diana'. She said: 'You just be yourself.'"[178] But Michael especially owed his oooh's to Diana Ross. At first, Michael almost always punctuated his verses with a sudden interjection of oooh. Diana Ross used this effect on many of the songs recorded with the The Supremes, and young Michael was delighted to take ownership.[179]